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Applause is a weekly show highlighting Northeast Ohio鈥檚 vibrant arts and culture scene. From interviews with artists to special musical performances, the show spotlights creative people in our community and beyond. Watch new episodes here or on WVIZ 海角破解版 Fridays at 8:30 p.m. Social: Facebook | Twitter

National Center for Choreography elevates variety of dance forms at the University of Akron

Established in 2015, the National Center for Choreography at the University of Akron (NCCAkron) is an incubator for dance. NCCAkron invites artists from across the country into the studios to create new work and to teach new steps to students.

Dancers perform in university dance studio with audience sitting in chairs watching.
Dale Dong
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NCCAkron
Members of A.I.M. perform in the studios of the National Choreography Center at the University of Akron (NCCAkron).

A unique partnership

NCCAkron is one of only two national centers for choreography in the country. The nonprofit operates out of the University of Akron鈥檚 Guzzetta Hall with seven dance studios.

鈥淲e are solely dedicated to research and development and don't produce shows. So instead, we're here to foster the creative process and enhance the national dance ecosystem,鈥 said Christy Bolingbroke, hired in 2016 as the center鈥檚 executive artistic director.

While independent of the university, NCCAkron partners with the University of Akron鈥檚 dance school by coordinating with faculty on programs that complement and contrast with the school鈥檚 curriculum. One of those faculty members is NCCAkron Assistant Professor of Dance Wilfried G. Souly, originally from Burkina Faso, who arrived at UA in 2022.

鈥淭he choreography center was one big attraction for me because in my work I like to constantly be creating something new,鈥 Souly said. 鈥(NCCAkron) allows us to bring many choreographers who have a different vision than what we are doing here in the department.鈥

Dance instructor gives instruction to dancer balancing on one leg.
Dave DeOreo
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海角破解版
Errin Weaver of the Mojuba! Dance Collective teaches dance students at the National Center for Choreography at the University of Akron (NCCAkron).

Moving dance forward

Bolingbroke acknowledged modern dance of the 20th century lacked diversity.
鈥淎 lot of dance programs in the country were built in the mid-20th century, mostly by white women, mostly taking over women's gymnasiums,鈥 she said.

NCCAkron opens its studios and teaching facilities to a more diverse group of choreographers from across the country with its 21st Century Dance Practices series, now in its fourth year.

鈥淲e鈥檒l bring in six different teaching artists making work today, some of them building off of the knowledge in the 20th century, some of them making up their new practices today and working with the UA faculty,鈥 she said.

Dance instructor leads dance students in West African dance class.
Dave DeOreo
/
海角破解版
Errin Weaver of Mojuba! Dance Collective leads dance students in class at the National Center for Choreography at the University of Akron (NCCAkron).

Weaving in African dance

One of the choreographers visiting the center for the series in 2023 is from Cleveland. Errin Weaver, the executive artistic director for Mojuba! Dance Collective, specializes in West African dance, which Souly had suggested Bolingbroke highlight.

鈥淚've been teaching Umfundalai technique, which is an African contemporary technique that was developed and cultivated by the late Dr. Kariamu Welsh, out of Temple University,鈥 Weaver said. 鈥淚'm so grateful to have shared in one of the modern classes for three mornings this week鈥 it's really been a joy.鈥

During a recent Friday morning class, Weaver put Akron dance students through their paces with Souly accompanying on an African drum.

鈥淚 threw a lot at the students at one time,鈥 Weaver said. 鈥淵ou start to tap into the emotion because it's coming from a deeper place inside rather than just trying to create shapes. And so that's what I try to inspire when I'm teaching classes to push you, to challenge you to know that there is more.鈥

The class responded well to the Weaver鈥檚 challenging steps after just a few days of practice. Souly was impressed with the students drive and energy.

鈥(Umfundalai technique) is one of these forms when you look at it where you cannot really fake it... No, you have to really give yourself. And once you give yourself, it's pushing you more,鈥 Souly said. 鈥淚 like it because it's broadening our perspective of dancing.鈥

Dave DeOreo is coordinating producer for 海角破解版鈥檚 arts and culture team.
Jean-Marie Papoi is a digital producer for the arts & culture team at 海角破解版.